MINOLTA DYNAX 7 +VC7 - MINOLTA DYNAX 7D +VC7D - MINOLTA DiMAGE Z1 - MINOLTA 18-70 1:3.5-5.6 - MINOLTA 70-210 1:4.5-5.6 - SIGMA 28-105 1:3.5-5.6 - SIGMA 20 1:2.8 - TAMROM 70-210
NIKON D700 +MB-D10 - NIKON D800 +MB-D12 - NIKKOR 24 1:2.8D - NIKKOR 35 1:2.0D - NIKKOR 50 1:1.4D - NIKKOR 35 1:1.4G - NIKKOR 70-200 1:2.8G VRII - NIKKOR 24-120 1:3.5-4.0
SEKONIC L-308S - ELINCHROM RX600 - MINOLTA 3600HS - NIKON SB-800 - NIKON SB-900

                                       




Posts Tagged ‘commercial photography’

Advent Calendar – Day 13

Thursday, December 13th, 2012
Pepsi Raw - Advertisement - Kristine Hove Røsok

photo: Bjørn Christiansen, Pepsi Raw - Advertisement - Kristine Hove Røsok

Ideas is what I usually write about when explaining photo. You need to have an idea to make your shots more interesting. When I photographed this shot of Kristine Hove Røsok didn’t really have an idea. At school, Norsk Fotofagskole, we had this assignment where we were to shoot an advertisement with a bottle and a person in it. We could do whatever we liked, but one of the main goals was to shoot a nice looking bottle, I thought the assignment was a bit boring and didn’t really want to do it. At that time, I believe it to be late winter, early spring of 2011, the Pepsi Raw was released and I found this bottle to have a nice design to it. Along with quite a few other soft drink bottles, 20 in total, I worked in the studio shooting all these bottles before I had an impulsive photo shoot with Kristine. She had brought some clothes that she liked and we really just photographed for fun. Since I had this bottles in the studio from the earlier work I asked Kristine to do her fashion jumps with the bottles in her hand. Some cutting and pasting in post production I got this “advertisement”.

When photographing glass, that is, bottles, vine glass or other similar objects made of glass, there is some precautions you should keep in mind. First of all, clean the objects of any dust and pick the objects with the less scratches on them. This saves you a lot of time in post production. The other thing is to never light the objects directly, but have the light bounce off reflectors and black cards to make out the details of the glass. High lights such as the one in the middle of this bottle is made by a big Styrofoam board right behind me. Might be you can make out my reflection? The surface of the table you put your object might in some cases be reflected inside the bottle so be sure to have a nice, seamless surface to put your object. The cheap surface is a large piece of paper, the more expensive might be cabinet doors or table tops you can find at IKEA. Easiest way to shoot this kind of shots is to have your camera on a tripod and have only the modeling lamps on, this way you can make out any reflection and almost do a wysiwyg (what you see is what you get).

Charite Viken – Elevating

Sunday, December 4th, 2011
Charite Viken

photo: Bjørn Christiansen, Charite Viken

Charite Viken

photo: Bjørn Christiansen, Charite Viken

Charite Viken

photo: Bjørn Christiansen, Charite Viken

Charite Viken

photo: Bjørn Christiansen, Charite Viken

I thought the last post was the last for a while, but then I got a little time before my flight to Denmark too off and then I could post some more pictures from the photo shoot I had with the Charite Viken (DP Models). Here we are in a fairly narrow elevator. Nikon 24mm f/2.8, SB-900 and Orbis Ring Flash is the extra equipment I used in addition to my trusty Nikon D700. Make-up and hair was done by Ann Karin Williams Aastø from OurStyle.

Well, now I’m leaving on a jet plane, leaving the snow, rain, ice and cold. 2 degrees Celsius and sun is a fairly good upgrade.

Charite Viken – Raw

Saturday, December 3rd, 2011
Charite Viken

photo: Bjørn Christiansen, Charite Viken

Second part from the series I did for Charite Viken, artist represented by DP-Models. As the first part, this is shot with natural illumination in a dim staircase in a parking garage in Trondheim. The reason for all the noise in this picture is that I had cranked up the ISO-speed to 2500 to get a decent exposure at f/2.8 with my 24mm lens. Even tough it’s not done perfect technical wise, I felt that the rawness in both the style and posture of Charite expressed and the noise all over the image says something about what I am trying to express. First I wanted the photo to be in black and white, but the dirty green light the fluorescent bulb was casting set the mood perfectly. Make-up and hair was done by Ann Karin Williams Aastø from OurStyle. Thank you for helping out and doing such a great job at this photo shoot.

The recent days I have been assisting Lars Erik Berg from Centerteam doing a commercial job for Mascot Høie A/S. Høie is a manufacturer based in Fosen making bedsheets and pillows. It was fun and experiencing two days at the studios of Centerteam.

Sunday I am leaving for Denmark again hoping to get to do some model testing for Modelbureauet Modelbooking again and I will be back in Norway around Christmas. Which in short means that my blog will not be updated that frequently as the past few weeks. Hope you will take a look in my picture gallery and enjoy all the photos I have published the past recent years. Leave me some feedback and comments if you’d like and I’ll try to answer as soon as possible.

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